PAVILION III : MATERIAL INTELLIGENCE

Hanji Cell Relics & Art Capsules

Chapter I: THE MACRO CAPSULES — The Grand Reliquary

The Dual Resonance No. 2 — The Descending Gravity

Sub-title: An Interlocking Dialogue of Primal Form — Part II

"Dense ink masses and fine mulberry veins descending from above—capturing the quiet gravitational balance of cosmic matter."

CURATION ANATOMY: The Architecture of Light

  • The Descending Gravity (Part II of Diptych)

    Densely descending from above, heavy ink masses and fine mulberry veins anchor down into the void, creating a quiet counterweight of cosmic gravity.

  • Complementary Equilibrium with Part I

    Facing The Dual Resonance No. 1, this piece completes an eternal visual symmetry—where ascending motion meets descending mass like Yin and Yang in space.

  • Textural Depth & Fine Veins

    The upper density gracefully breaks apart into delicate, floating fiber tentacles along the lower boundary, revealing luminous acrylic transparency.

STORYTELLING & PHILOSOPHY

  • The 46-Year Inkstone Ritual

    Pigmented with traditional Korean Muk (ink) from the artist's personal inkstone preserved for over 46 years (since age 11). This capsule seals a lifetime of soul and consciousness into an eternal cosmic relic.

  • Compression of Time (46 Years & 1,000 Years)

    A sacred union between the artist’s 46-year lived consciousness and the 1,000-year archival permanence of traditional hand-sculpted Hanji.

  • Quantum Contemplation (Particle vs. Wave)

    Pure water and rich ink stretch raw mulberry fibers to their absolute physical threshold. When ambient light strikes the exposed fibers and gold/oxidized leaf, static matter transforms into a fluid wave of cosmic energy, inducing Nature’s 1/f Fluctuation.

"Even the pedestal is an active sculptural medium. The subtle variation in light reflection—where the satin depth of the traditional ink meets the single matte stroke of Black Gesso—ensures that the base itself responds dynamically to ambient light alongside the acrylic monolith."

MATERIAL & ARCHITECTURAL SPECIFICATIONS

  • Medium: 46-Year Vintage Ink on Hand-Sculpted Organic Hanji, Gold Leaf , 2-Ply Floating Signature Seal

  • Capsule Structure: 30mm (1.25") Optical-Grade UV-Filtering Solid Acrylic Capsule

  • Museum-Grade Pedestal: Hand-sanded hardwood dyed with Speedball Super Black Ink, then stroked with Black Gesso for a subtle, intentional contrast between satin gloss and matte brushwork. Finished with Renaissance Wax and lined on the underside with traditional Korean Ottchil Jangji (lacquered paper).

  • Spatial Positioning:The Descending Axis — Designed to bring grounded, contemplative stillness to private suites, consoles, or executive chambers. Can be acquired individually or as part of The Dual Resonance Diptych.

DIMENSIONS & PROVENANCE

  • Acrylic Monolith (Portrait): 8 x 10 x 1.25 inches (20.3 x 25.4 x 3.0 cm) / 30mm Thickness

  • Museum Pedestal: 12 x 4 x 0.8 inches (30.5 x 10.2 x 2.0 cm) / 20mm Height

  • Overall Height: Approx. 10.8 inches (27.4 cm)

  • Provenance: Hand-signed on verso / Serialized MAISON HABENHAUS Certificate of Authenticity (COA)

  • Price:$3,800 USD


    ★ COLLECT THE COMPLETE DIPTYCH & SAVE $400

    Experience the full cosmic narrative—Ascending Motion (No. 1) and Descending Gravity (No. 2)—as a unified 2-piece collection.

    [ Acquire Complete Diptych Set ($7,200 USD) ]

    [ 2부작 통합 세트 보러가기 ($7,200 USD) ]

The Dual Resonance No. 2 —
The Descending Gravity

Craftsmanship Detail:

Hand-sanded hardwood base with Speedball ink & Black Gesso sheen contrast, sealed with Renaissance Wax and lined with traditional Korean Ottchil Jangji (lacquered paper) on the underside.

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Chapter I: THE MACRO CAPSULES — The Dual Resonance No. 1 — The Ascending Motion

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Chapter I: THE MACRO CAPSULES—The Primal Blaze